Choose a base
Begin on paper, canvas, wood panel, or inside an art journal.
Paint | Paper | Botanicals | Fiber
Mixed media begins when one material is not quite enough. Paper meets paint, botanicals meet fiber, and familiar fragments become something entirely their own.
Explore Original Art
The art of collecting materials
Claudia's work often begins with whatever insists on being noticed: a garden clipping, a painted tissue, a piece of old paper, an image, or a color left behind on the studio table.
Painting, collage, fiber, botanicals, and found inspiration are layered until separate materials begin to speak as one. The process stays open long enough for surprise to become part of the composition.
"The page changes when you let the materials speak for themselves."
Original Artwork by Claudia E. Heyer
Mixed Media 101
You do not need every supply or a finished plan. Mixed media grows through response: one mark suggests the next, one texture changes the balance, and an unexpected edge becomes the thing worth keeping.
Begin on paper, canvas, wood panel, or inside an art journal.
Add paint, a printed layer, or one strong shape without solving the whole piece.
Bring in paper, thread, botanicals, fabric, or a found fragment.
Pause, rotate the work, cover something, or leave the evidence of an earlier idea.

A Tool For Making Layers
The Dura-Lar Bird Stenciling Mask protects earlier layers while new color and texture are added. Use it with a Gelli Plate, acrylic paint, and tissue paper to build a print that can stand alone or become part of a larger collage.
Explore Our Stencil MasksPull up a chair in the studio
Begin with a few materials that invite experimentation. The collection is the palette; your choices are the point of view.
Make it unmistakably yours
A finished piece does not need to hide how it was made. Keep the layers, the revisions, the rough edges, and the evidence of your hand.
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